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Last Updated: 01/08/01
Production Credits Summary
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2
2 D Animation
Anderson, John ......................................... 310, 312
Carbonaro, Phil ........................................ 304
Herbst, Ron ............................................ 312
Lloyd, Bob ............................................. 310, 312
Rednour, David ......................................... 304, 310, 312
Tamny, Mark ............................................ 304, 310, 312
2 D Animator
Carbonaro, Phil ........................................ 214, 215
2 D Artist/Digital Matte Paintings
Carbonaro, Phil ........................................ 503, 504
2 D Artists
Andersson, John Gust ................................... 419, 421, 501-503,
505, 506, 508,
511-513, 515, 516,
518, 520, 521, 609
Beswick, Doug .......................................... 504
Carbonaro, Phil ........................................ 502
Conrad, Jarid .......................................... 602
Farnsworth, Nicky ...................................... 505
Freeman, Trev .......................................... 604
Hammer, Owen ........................................... 501-503, 505, 506,
508, 509, 511, 512,
514, 515, 522, 602,
603, 605
Kuehne, Craig .......................................... 501
Lloyd, Bob ............................................. 604
Lloyd, Robert .......................................... 501
Lloyd, Stephen ......................................... 604
Melchora, Michael ...................................... 606-609
Rednour, David ......................................... 419, 421, 501-503,
505, 508, 509, 511,
513, 516, 518-522,
603
Reinhard, Eric ......................................... 419-421, 501-503, 506,
508-516, 518, 519,
521, 522, 602, 603,
605, 607-609
Saeta, Josh ............................................ 513, 516
Solomon, Richie ........................................ 604
Vaziri, Todd ........................................... 501, 505, 508, 509,
511, 512, 514, 515,
519, 520
Voss, Ken .............................................. 501
Wiley, Kurt ............................................ 501
2 D Composite Artists
Lloyd, Bob ............................................. 317
Tamny, Mark ............................................ 317
2 D Compositing
Lloyd, Bob ............................................. 318
Rednour, David ......................................... 318
Tamny, Mark ............................................ 318
2 D Digital Composite Artists
Carbonaro, Phil ........................................ 201-203
Suskin, Mitch .......................................... 202
2 D Matte Paintings
Carbonaro, Phil ........................................ 501, 514
2 D Supervisor
Reinhard, Eric ......................................... 601, 606
Struckman, Kevin ....................................... 607-609
Tamny, Mark ............................................ 419-421, 501-507,
509-516, 518-522,
602, 603, 605
2nd Unit Art Director
Gee, Neville ........................................... 401
2nd Unit Assistant Directors
Barr, Richard .......................................... 512-522, 602-609
Gundesen, Anna ......................................... 101-124, 201-222,
301-309, 311
Harness, Louise ........................................ 504
James, Neil ............................................ 310, 312-322
Paton, Axel ............................................ 401-422, 501-503,
505-511
Sinclair, Craig ........................................ 601
2nd Unit Directors of Photography
Cavill, John ........................................... 504
Latty, Steve ........................................... 401-422
Locke, Alan ............................................ 601
Morton, Aaron .......................................... 508-522, 602-609
Riley, Kevin ........................................... 101-124, 201-222,
301-322
White, Chris ........................................... 501-503, 505-507
2nd Unit Directors
Ambridge, Simon ........................................ 504
Cavill, John ........................................... 222, 301, 302
Graves, Chris .......................................... 508
Grinder, Paul .......................................... 310, 312-322, 401-422,
501-503, 505-513,
515-522, 602-609
Haskell, Charlie ....................................... 304, 311
Johnstone, Britta ...................................... 514, 601
Jones, Gary ............................................ 101-118, 120, 122, 123
Maxwell, Garth ......................................... 305
Merrifield, Andrew ..................................... 201-221, 303, 305-309,
512, 515, 517
Pollison, David ........................................ 119, 121, 124
2nd Unit Gaffer
Loane, Ginny ........................................... 503
2nd Unit Sound Recordist
Hurley, Dave ........................................... 410
3
3 D Animation Supervisor
Beswick, Doug .......................................... 108, 116, 204, 212,
214, 215, 219, 221,
301, 304, 306, 307,
310-312, 317-319,
321, 322, 401-416,
422, 606-609
3 D Animation
Armstrong, Lance ....................................... 304, 312
Blevins, Bryan J. ...................................... 304, 312, 321, 402,
410, 413, 415, 416
Clement, Andrew ........................................ 219, 221, 312, 318
Gibbons, John .......................................... 306, 307, 312, 319,
321, 402, 404, 407,
413, 415, 416
Herbst, Ron ............................................ 317
Ortmann, John .......................................... 219, 221, 312, 319
Peebler, Bob ........................................... 311, 312
Peppler, Bob ........................................... 322, 403, 411
Peppler, Robert ........................................ 402, 408, 409, 413
Struckman, Kevin ....................................... 312, 322, 402, 404,
407, 413-416
Wheeler, Scott ......................................... 415, 416
Wilcox, Tim ............................................ 416
3 D Animators
Blevins, Bryan ......................................... 215
Clement, Andy .......................................... 116, 204
Gibbons, John .......................................... 214, 215
Myers, Don ............................................. 506
Ortmann, John .......................................... 204
3 D Artists
Cole, Chado ............................................ 421
Gibbons, John .......................................... 212, 419, 512, 514,
518
Struckman, Kevin ....................................... 513, 516, 519-522,
602, 603, 605
Vanhook, Kevin ......................................... 421
Wheeler, Scott ......................................... 515
3 D Composite Supervisor
Burrell, Everett ....................................... 108, 116, 117
3 D Digital Supervisor
Burrell, Everett ....................................... 204
3 D Digitizing Supervisor
Blevins, Bryan ......................................... 204
3 D Modeling
Blevins, Bryan ......................................... 219, 221
Gibbons, John .......................................... 219, 221
3 D Modeling/Animator
Struckman, Kevin ....................................... 511
3 D Modeling/Animators
Blevins, Bryan J. ...................................... 505
Calzada, Yancy ......................................... 505
Carpenter, Steve ....................................... 505
Catizone, Rick ......................................... 505
Gibbons, John .......................................... 505
Ortmann, John .......................................... 505
Peppler, Robert ........................................ 505
Struckman, Kevin ....................................... 505
Vanhook, Kevin ......................................... 505
Wong, George ........................................... 505
3 D Supervisors
Burrell, Everett ....................................... 212, 214, 215, 219,
221, 301, 304, 306,
307, 310-312,
316-319, 321, 322,
401-416, 418-422,
505, 507, 512-516,
518-522, 601-603,
605-609
Kochinski, Mark ........................................ 421, 501-504, 506,
508, 509, 511
3rd Assistant Directors
Long, Sam .............................................. 411
Sheldrick, Vanessa ..................................... 419
A
ADR Recordist
Freedman, Alan ......................................... 509
ADR Supervisor
Boggs, Tim ............................................. 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Action Pack Theme by
Bunch, Ray ............................................. 101-124, 201-222,
301-322, 401-422,
501-517, 519
Animal Trainer
Vette, Mark ............................................ 414
Art Department Coordinators
Henaghan, Joanna ....................................... 208, 211, 213-222,
301-322, 401-422,
501-522, 601-609
Zivkovic, Angela ....................................... 201-207, 209, 210, 212
Art Department Manager
Cantell, Brenda ........................................ 101-124
Art Directors
Becroft, Mike .......................................... 310, 312-322
Cormack, Jill .......................................... 201, 202, 206-208,
210, 211, 213,
219-221, 301, 303,
305, 308-310, 313,
314, 317, 320, 321,
405-408, 410,
412-418, 420, 501,
502
Elliott, Chris ......................................... 512, 517, 519-521,
601-603, 606, 608
Griffin, Kirsty ........................................ 412, 415, 505, 507,
508, 510
Guise, Roger ........................................... 509, 513-515, 518,
522, 604, 605, 607,
609
Ivey, Philip ........................................... 101-124, 203-205, 209,
212, 214-218, 222,
302, 304, 306, 307,
311, 312, 315, 316,
318, 319, 322,
401-404, 409, 411,
414, 416, 419, 421,
422, 503, 504, 506,
511
Tweed, Nigel ........................................... 516
Ward, Jennifer ......................................... 101-124, 201-222,
301-309, 311,
401-411, 413,
417-422, 501-522,
601-609
Assistant Cast Coordinator
White, Danielle ........................................ 522
Assistant Choreographer
Martell, Carla ......................................... 510
Assistant Film Editors
Barisano, Bart J. ...................................... 102, 104
Borertz, Stephen ....................................... 601, 602, 606, 608
Davidson, Eric ......................................... 108, 109, 114, 116,
118, 119, 121, 122,
203-205, 209, 212,
214, 215, 217, 218
Gerard, Barbara ........................................ 603
Parsi, Patricia ........................................ 310, 313, 314, 317,
320, 321, 405-408,
410, 412, 413, 415,
417, 418, 420, 501,
502, 506-508, 510,
512, 516-518, 521,
602, 603
Perler, Gregory ........................................ 105, 106, 113
Thompson, Victoria ..................................... 101, 103, 107,
110-112, 115, 117,
120, 123, 124, 201,
202, 206-208, 210,
211, 213, 216,
219-221, 301, 303,
305, 308, 309
Walsh, Michelle ........................................ 218, 222, 302, 304,
306, 307, 311, 312,
315, 316, 318, 319,
322, 401-404, 409,
411, 414, 416, 419,
421, 422, 503-505,
509, 511, 513-515,
519, 520, 522, 604,
605, 607, 609
C
Camera Assistant
Morton, Aaron .......................................... 418
Camera Operators
Bluck, Richard ......................................... 508
Little, Dana ........................................... 512-522, 601-609
McLean, Cameron ........................................ 101-124, 201-222,
301-322, 401-422,
501, 502, 504-507,
509-511
Morton, Aaron .......................................... 503
Cantina Visual Effects Coordinators
Johnson, Russell ....................................... 601, 606-608
McClinton, Omar ........................................ 609
Casting Coordinator
Fox, Riwia ............................................. 517
Choreographers
Batchelor, Melodie ..................................... 412, 505
Deobhakta, Kanan ....................................... 415
McCullagh, Shona ....................................... 406, 510, 603, 604
O'Reilly, Mary Jane .................................... 516
Preston, Wendy ......................................... 609
Roberts, Tricia ........................................ 605
Wright, Douglas ........................................ 420
Co-Executive Producers
Friedman, Liz .......................................... 401-422
Gruendemann, Eric ...................................... 310, 312-322, 401-422,
501-522, 602-606
Kurtzman, Alex ......................................... 508-510, 512, 513, 515
Orci, Roberto Gaston ................................... 508-510, 512, 513, 515
Sears, Steven L. ....................................... 310, 312-322, 401-422,
501-507, 511
Stewart, R.J. .......................................... 101-124, 201-222,
301-309, 311
Co-Producers
Friedman, Liz .......................................... 101-124
Manheim, Chris ......................................... 401-408, 410, 411, 413
McDonald, Michael ...................................... 501-522
Moran, Patrick ......................................... 414-422
Color Timer
Brooks, Shaley ......................................... 519
Construction Engineer
John Worley ............................................ 319
Construction Manager
Chitty, Phil ........................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Coordinating Producer
Joyce, Bernadette ...................................... 101-124, 201-222,
301-322
Costume Designers
Dickson, Ngila ......................................... 101-124, 201-222,
301-322, 401-422
Holland, Jane .......................................... 501-522, 601-609
Costume Props Coordinator
Forster, Robyn ......................................... 606
Created by
Schulian, John ......................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Tapert, Rob[ert] ....................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Creative Associates
Kurtzman, Alex ......................................... 201-216
Martin, Geoffrey ....................................... 501-522
Rowlee, Teresa ......................................... 401-422
Creative Consultants
Kurtzman, Alex ......................................... 505-507, 511
Orci, Roberto Gaston ................................... 505-507, 511
Creature & Make-up Effects by
KNB EFX Group, Inc. .................................... 403, 416, 501, 505,
515, 519-522, 602,
603, 607-609
WETA, Ltd. ............................................. 204, 216, 222, 304,
305, 311, 312, 321
Creature Effects by
KNB EFX Group, Inc. .................................... 414
D
Developed by
Stewart, R.J. .......................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Digital Composite Artists
Anderson, John ......................................... 303, 306, 307
Carbonaro, Phil ........................................ 101, 102, 104, 106,
108-110, 112, 114,
116, 117, 119-122,
124, 207-209,
211-213, 216, 217,
219-221, 302, 306,
307, 309
Lloyd, Bob ............................................. 303, 306, 307, 316
Rednour, David ......................................... 303, 306, 307
Suskin, Mitch .......................................... 104, 107-113, 115,
116, 118-124, 206,
207
Tamny, Mark ............................................ 303, 316
Digital Composite Supervisor
Kutchaver, Kevin ....................................... 101-104, 106-118,
120-124, 201-222,
301-304, 306-322,
401-416, 422
Digital Compositing
Anderson, John ......................................... 308, 311
Andersson, John Gust ................................... 402, 407-409, 412-416
Carbonaro, Phil ........................................ 301, 305, 308, 411
Hammer, Owen ........................................... 402, 412-416
Herbst, Ron ............................................ 319-322
Lloyd, Bob ............................................. 308, 311, 313, 314,
319, 320
Lloyd, Robert .......................................... 408, 409
Rednour, David ......................................... 308, 311, 321, 322,
401-404, 407, 408,
412-416
Reinhard, Eric ......................................... 321, 322, 401-403,
412-416
Tamny, Mark ............................................ 311, 314, 319-322,
401-403, 405, 409,
410, 412-416, 422
Digital Matte Composites
Vaziri, Todd ........................................... 507
Digital Matte Paintings
Carbonaro, Phil ........................................ 310-314, 316-322,
401-410, 412-416,
418-422, 505-509,
518-522
Herbst, Ron ............................................ 318
Digital Wire Removal
Lloyd, Robert .......................................... 418
Voss, Ken .............................................. 418
Directed by
Alexander, Jace ........................................ 110, 113
Becker, Josh ........................................... 114, 206, 216, 218,
318, 404, 412, 517
Beesley, Mark .......................................... 214, 311, 506, 510,
513, 514, 521, 601,
603
Brevig, Eric ........................................... 107
Cameron, John .......................................... 117
Campbell, Bruce ........................................ 308, 410
Cokeliss, Harley ....................................... 102
Di Leo, Mario .......................................... 111
Fawcett, John .......................................... 416, 501, 505, 607,
609
Ginty, Robert .......................................... 309
Girotti, Ken ........................................... 421
Graves, Christopher .................................... 417, 419
Greek, Janet ........................................... 315
Green, Bruce Seth ...................................... 103
Grinder, Paul .......................................... 515
Haskell, Charlie ....................................... 210, 317
Hurst, Michael ......................................... 215, 406, 516, 518,
604
Jacobson, Rick ......................................... 303, 322, 405, 407,
415, 503, 504, 507,
520, 522, 606, 608
Jones, Gary ............................................ 121, 203, 207
Kretchmer, John T. ..................................... 118, 209
Laing, John ............................................ 316, 319
Lefler, Doug ........................................... 101, 403, 502
Levine, Michael ........................................ 104, 115, 119, 213,
219
Liddi, Allison ......................................... 508
Lynch, Paul ............................................ 313, 408
Main, Stewart .......................................... 123
Martin-Jones, Chris .................................... 605
Maxwell, Garth ......................................... 116, 217, 221, 314,
409, 414, 420, 509,
519, 602
Merrifield, Andrew ..................................... 302, 305, 310, 320,
418, 511
Norris, Patrick ........................................ 411
O'Connor, Renee ........................................ 422
Posey, Stephen L. ...................................... 105, 108
Sargenti, Marina ....................................... 211
Sassone, Oley .......................................... 220, 304, 306, 307,
312
Scott, T.J. ............................................ 112, 122, 124, 204,
205, 401, 402
Sgriccia, Philip ....................................... 512
Shilton, Gilbert ....................................... 301
Siebert, Charles ....................................... 106, 109, 120, 201,
208, 222, 305
Tapert, Rob[ert] ....................................... 212, 413
Warry-Smith, David ..................................... 321
Williams, Anson ........................................ 202
Directors of Photography
Allender, Rick ......................................... 520, 521
Attewell, Warrick Waka ................................. 513, 522, 604, 605,
607, 609
Cavill, John ........................................... 218, 303, 306-308,
322, 404-407, 410,
412, 415, 416,
419-422, 501, 502,
506, 507, 510
Duncan, Donald ......................................... 101-120, 122, 124,
201-203, 205,
207-217, 219-222,
301, 302, 304, 305,
309-321, 401-403,
408, 409, 411, 414,
417, 418, 503-505,
509, 512, 514-518
Guilford, Allen ........................................ 121, 123, 204, 206,
413, 508, 511
Riera, Simon ........................................... 518, 519, 601-603,
606, 608
E
Edited by
Batt, Tim .............................................. 601-603, 606, 608
Blewitt, A.C.E., David ................................. 513
Fedele, Jody ........................................... 609
Field, Robert .......................................... 102, 104, 108, 109,
114, 116, 118, 119,
121, 122, 203-205,
209, 212, 214, 215,
217, 218, 222, 302,
304, 306, 307, 311,
312, 315, 316, 318,
319, 322, 401-404,
409, 411, 414, 416,
419, 421, 422,
503-505, 509, 511,
513-515, 519, 520,
522, 604, 605, 607
Ibold, A.C.E., Doug .................................... 105, 106, 113
Polivka, A.C.E., Steve ................................. 609
Prior, Jim ............................................. 101, 103, 107,
110-112, 115, 117,
120, 123, 124, 201,
202, 206-208, 210,
211, 213, 216,
219-221, 301, 303,
305, 308-310, 313,
314, 317, 320, 321,
405-408, 410, 412,
413, 415, 417, 418,
420, 501, 502,
506-508, 510, 512,
516-518, 521
Electronic Graphics
D'Alessandro, Amy ...................................... 414
Executive Producers
Raimi, Sam ............................................. 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Stewart, R.J. .......................................... 310, 312-322, 401-422,
501-522, 601-609
Tapert, Rob[ert] ....................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Executive Story Editor
Manheim, Chris ......................................... 301-322
Extras Casting Director
Hampton, Tracy ......................................... 201-222, 301-322,
401-422, 501-511
Extras Casting Supervisor
Borich, Marisa ......................................... 512, 513, 517
Corcoran, Anita ........................................ 601-609
Hampton, Tracy ......................................... 514-516, 518-522
F
First Assistant Directors
Ambridge, Simon ........................................ 102, 104, 106, 107,
109, 111, 112, 115,
118, 119, 121, 122,
203-205, 209, 212,
214-218, 222, 302,
304, 306, 307, 311,
312, 315, 316, 318,
319, 322, 401-404,
409, 411, 414, 416,
419, 421, 422, 503,
504, 506, 509, 511
Grinder, Paul .......................................... 101, 103, 105, 108,
110, 113, 114, 116,
117, 120, 123, 124,
201, 202, 206-208,
210, 211, 213,
219-221, 301, 303,
305, 308, 309
Gundesen, Anna ......................................... 310, 313, 314, 317,
320, 321, 405-408,
410, 412, 413, 415,
417, 418, 420, 501,
502, 505, 507, 508,
510, 512, 517, 519
Kilmartin, Terri ....................................... 518
Leonard, Carmen J. ..................................... 522, 604, 605, 607,
609
Lyle, George ........................................... 515, 516, 520
Paton, Axel ............................................ 513, 514, 518, 521,
601-603, 606, 608
Flat Earth Administration
Beswick, Vicki ......................................... 204
Flat Earth VFX Coordinators
Johnson, Russell ....................................... 401-411, 413, 415,
416, 505, 507, 510,
511
McClinton, Omar ........................................ 412, 414, 418-422,
501-504, 506
G
Gaffers
Beale, Ian ............................................. 103, 104, 106, 108,
111-113, 115, 117,
118, 121, 206
Crawford, Bindy ........................................ 101, 102, 105, 107,
109, 110, 114, 116,
119, 120, 122-124,
201-205, 207, 209,
210, 212
Gilmour, Pete .......................................... 208, 211, 213-222,
301-322, 401-412,
414-422, 501-522,
601-609
Lawrence, Thad ......................................... 302, 316, 413
Greensman
Hoffman, Russell ....................................... 314
H
Horse Wranglers
Miles, Rosie ........................................... 504, 602-605
Newton, Iain Horace .................................... 101-124, 201-222,
301-322
Rayner, Sandi .......................................... 401-413, 415, 417,
419-421, 502,
504-509, 511, 513,
514, 516-522, 601,
606-609
K
Key Grips
Harrison, Harry ........................................ 309
Hawkins, Simon ......................................... 304, 417-422, 501-522,
601-609
Munro, Jay ............................................. 222, 301
Thompson, Dennis ....................................... 101-124, 201-222,
301-303, 305-308,
310-322, 401-411,
413-416
Yarker Jnr., Vic ....................................... 412
L
Line Producer
Smith, Chloe ........................................... 101-124
Location Manager
Sherratt, Sally ........................................ 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Lyrics by
LoDuca, Joseph ......................................... 312
Oland, Pamela Phillips ................................. 312
Spiegel, Dennis ........................................ 312
M
Make-up/Hair Supervisors
O'Kane, Jane ........................................... 601-609
Petch, Joan ............................................ 101-124
Smeets, Francia ........................................ 101-124, 201-222,
301-322, 401-422,
501-522
Matte Artist
Ritchie, George ........................................ 520
Mechanical Effects Supervisors
Durey, Jason ........................................... 213-222, 301, 302
Durey, Ken ............................................. 201-212, 303-322,
401-422, 501-522,
601-609
Mechanical Effects Technician
Ninness, Sharon ........................................ 601
Music Editors
Caruso, Johnny ......................................... 214-216
Ford, Richard .......................................... 101-124, 201-213
Levinson, Ross ......................................... 214-222, 302
tenBroek, Nic. ......................................... 301, 303-322, 401-422
Music by
LoDuca, Joseph ......................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Musical Staging by
Calhoun, Jeff .......................................... 312
N
New Zealand Casting by
Adams, Marie ........................................... 123, 601-609
Rowan, Diana ........................................... 101-122, 124, 201-222,
301-322, 401-422,
501-522
New Zealand Producer
Smith, Chloe ........................................... 201-222, 301-322,
401-422, 501-522
O
On-Set Creature Technicians
Hunt, William .......................................... 403
Tooker, Melanie ........................................ 403
On-Set Supervisors
Berger, Howard ......................................... 416, 501, 607
Nicotero, Greg ......................................... 515
Tooker, Melanie ........................................ 501, 505, 519-522,
602, 603, 608, 609
On-Set Technicians
Beattie, Andrew ........................................ 416, 515
Fagan, David ........................................... 515
Garber, Jake ........................................... 515, 520
Hirahara, Jimmy ........................................ 515
Holmberg, David ........................................ 602
Khanlian, Luke ......................................... 416
Lane, Tami ............................................. 416
Lorenzana, Al .......................................... 602
McCarty, Mike .......................................... 515
Smith, Ted ............................................. 607-609
Tooker, Melanie ........................................ 416, 515, 607
Wogh, David ............................................ 416
Online Editor
Stein, Howard Scott .................................... 413, 511, 518
P
Personal Assistant
Pukeroa, Leigh-Ann ..................................... 512
Post Production Assistants
Ferchaw, Andy .......................................... 507, 602
Joyce, Jennifer ........................................ 403
Post Production Coordinators
Guth, Robert B. ........................................ 201-222, 301-322
Stalter, Edwin B. ...................................... 401-422, 501-522,
601-609
Tarampi, D. Gunther .................................... 101-124
Post Production Sound
Digital Sound & Picture ................................ 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Post Production Supervisors
Clark, Sam ............................................. 201-222, 301-322
Fedele, Jody ........................................... 501-511
Guth, Robert B. ........................................ 401-422, 501-522
Powers, Todd ........................................... 101-124
Schmid, Jason .......................................... 601-609
Tarampi, D. Gunther .................................... 201-222, 301-322,
401-422
Post Sound Operations Manager
Oliver, Janie .......................................... 513
Post Sound Supervisor
Hadael, George ......................................... 603, 606
Hadael, M.P.A., George ................................. 601, 602, 604, 605,
607-609
Schmid, Jason .......................................... 101-124, 201-222,
301-322, 401-422,
501-522
Produced by
Friedman, Liz .......................................... 516
Gruendemann, Eric ...................................... 101-124, 201-222,
301-309, 311
Smith, Chloe ........................................... 601-609
Producer's Assistant
Handley, Kelly ......................................... 502
Producers
Friedman, Liz .......................................... 201-222, 301-309, 311
Joyce, Bernadette ...................................... 401-422, 501-522
Manheim, Chris ......................................... 409, 412, 414-422,
501-522
McDonald, Michael ...................................... 601-609
Production Accountant
Hutton, Rebecca ........................................ 601, 602, 604-609
MacKenzie, Keith ....................................... 101-124, 201-222,
301-322, 401-422,
501-522
Taggart, Michelle ...................................... 603
Production Assistants
Coulam, Annelise ....................................... 607
Curran, Melissa ........................................ 416
Pickrang, Kylie ........................................ 315, 508
Williams, Monique ...................................... 506
Production Associate
Rowlee, Teresa ......................................... 301, 303-322
Production Consultant
Scott, T.J. ............................................ 201, 202, 204-215
Production Coordinators
Ambridge, Simon ........................................ 512-522
Celie, Nathalie ........................................ 101-124, 201-222,
301-322, 401-422,
501-511, 515
Grant, Moira ........................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Lindsay, Jane .......................................... 101-124, 201-222,
301-322, 401-411,
413
Pagonis, Carole ........................................ 601-609
Phanshell, Phee ........................................ 201-222, 301-322,
401-422, 501-522,
601-609
Production Designer
Gillies, Robert ........................................ 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Production Manager
Ambridge, Simon ........................................ 602-606
Production Office Interns
Magee, Amy ............................................. 320
Surtees, Kim ........................................... 520
Production Runners
Ninness, Sharon ........................................ 322
Spiers, Jannine ........................................ 321
Production Secretary
Edwards, Paulette ...................................... 514
Production Supervisor
MacKenzie, Keith ....................................... 601-609
Props Designer
Palmer, Joyce .......................................... 310, 405
Prosthetic Technicians
Carlson, Tamara ........................................ 501
Fuller, Bruce .......................................... 501
Keener, Karen .......................................... 501
Lane, Tami ............................................. 501
Wogh, David ............................................ 501
R
Receptionist
Wilshere, Karen ........................................ 515
Rerecording Mixers
Cook, Benjamin ......................................... 607, 608
Garnhart, Sean ......................................... 103-105
Giraudi, Patrick ....................................... 102-111, 113-124,
201-222, 301-309,
311-322, 401-422
Grimaldi, David ........................................ 114, 120
Reese, Yuri ............................................ 310, 505, 511, 514,
515
Schneider, Joshua ...................................... 101, 112
Smith, Bill ............................................ 320, 501-504, 506-510,
512, 513, 516-522,
601-609
Waters, Mathew ......................................... 112, 220
S
SFX Coordinator
Rodger, Tania .......................................... 204, 216, 222, 304,
305, 311, 312, 321
SFX Designer
Taylor, Richard ........................................ 201, 204, 216, 222,
304, 305, 311, 312,
321
SFX Make-up by
KNB EFX Group, Inc. .................................... 116
WETA NZ Ltd. ........................................... 201
SFX On-Set Supervisors
Asquith, Michael ....................................... 304
Beattie, Andrew ........................................ 216, 222, 311, 321,
414
Docherty, Jason ........................................ 216, 311, 321
Hartwell, Vance ........................................ 222, 305, 312
SFX Supervisor
Berger, Howard ......................................... 116
Safety Supervisor
Moorhouse, Terry ....................................... 422
Scenic Artist
Radford, Paul .......................................... 101-124, 201-222,
301-322, 401-422,
501-522, 601-609
Scheduler
Morgenstern, Frank ..................................... 409
Script Coordinators
Abbott, Lu ............................................. 513, 514, 519, 521,
604, 606, 609
Hickerson, Maggie ...................................... 101-124, 201-222,
301-322, 401-422,
501-505
Katarungan, Madley ..................................... 601, 602, 607
Langenhahn, Kurt A. .................................... 508, 510
Lim, Adele ............................................. 506, 507, 511, 603,
605, 608
Script Supervisors
Cottrell, Caroline ..................................... 219, 303, 305, 309,
313, 404, 406, 410,
414, 415, 417, 508,
512, 517, 519, 605,
609
Del La Varis, Antonia .................................. 203-205, 209, 212,
214-218, 222, 302,
304, 306, 307, 311,
312, 315, 316, 318,
319, 322, 401-403,
407, 408, 411, 412
Hislop, Pam ............................................ 111, 112, 115, 117,
120, 123, 124, 201,
202, 206, 207, 210
Knight, Monique ........................................ 518, 520, 522, 604
Munro, Rachel .......................................... 418, 501, 507, 607
Steyne, Gillian ........................................ 208, 211, 213
Thomas, Kathleen ....................................... 220, 308, 310, 314,
317, 320, 321, 405,
409, 413, 416, 419,
421, 422, 503, 504,
506, 509, 511,
513-515, 518, 601,
602, 606, 608
Van Der Laan, Angela ................................... 521, 603
Vial, Jennifer ......................................... 101, 103, 105,
108-110, 113, 114,
116, 118, 119, 121,
122, 221, 301
White, Marion .......................................... 516
Wikaire, Melissa ....................................... 420, 502, 505, 510
Yalland, Rowena ........................................ 102, 104, 106, 107
Sculptor
Lang, Kate ............................................. 318, 421
Second Assistant Directors
Childs, Karyn .......................................... 401-404, 409, 411,
414, 416, 419, 421,
422, 503, 504, 506,
509, 511
Hansen, Tim ............................................ 601
Hargreaves, Lynn ....................................... 515, 516, 520, 522
Harness, Louise ........................................ 205, 209, 214-218,
222, 302, 304, 306,
307, 311, 312, 315,
316, 318, 319, 322
James, Neil ............................................ 101, 103, 105, 108,
110, 113, 114, 116,
117, 120, 123, 124,
201, 202, 206, 207,
210
Marinkovich, Lisa ...................................... 208, 211, 213,
219-221, 301, 303,
305, 308-310, 313,
314, 317, 320, 321,
405-408, 410, 412,
413, 415, 417, 418,
420, 501, 502, 505,
507, 508, 510, 513,
519
Paton, Alex ............................................ 102, 104, 106, 107,
109, 111, 112, 115,
118, 119, 121, 122
Paton, Axel ............................................ 203, 204, 212
Robinson, Luke ......................................... 512, 514, 517, 518,
521, 602, 603, 606,
608
Steel, Anton ........................................... 518
Tate, Katie ............................................ 522, 604, 605, 607,
609
Set Dressers
Bergman, Marc .......................................... 516-518, 520, 522
Goode, Jeanette ........................................ 201, 202, 206-208,
210, 211, 213,
219-221, 301, 303,
305, 308-310, 313,
314, 317, 320, 321,
401, 405-408, 410,
412, 413, 415, 417,
418, 420, 501, 502,
505, 507, 508, 510
Kemp, Aileen ........................................... 203-205, 209, 212,
214-218, 222, 302,
304, 306, 307, 311,
312, 315, 316, 318,
319, 322, 402-404,
409, 411, 414, 416,
419, 421, 422, 503,
504, 506, 509, 511,
513, 515
Marinkovich, Donna ..................................... 512, 514, 519, 521,
604, 605, 607, 609
Sampson, Andre ......................................... 601-603, 606, 608
Set Nurse
Forde, Sally ........................................... 404
Sketch/Storyboard Artist
Holden, Julia .......................................... 316, 501
Sound Recordists
Johnson, Tony .......................................... 504, 505
Madigan, David ......................................... 111-124
Morris, Graham ......................................... 101-110, 201-222,
301-322, 401-422,
501-503, 506-522,
601-609
Stock Footage Librarian
Labate, Carmel ......................................... 408
Story Editor
Manheim, Chris ......................................... 201-222
Story by
Armus, Adam ............................................ 109, 318
Becker, Josh ........................................... 102, 407
Foster, Nora Kay ....................................... 109, 318
Friedman, Liz .......................................... 403
Greyhosky, Babs ........................................ 109
Hendler, Janis ......................................... 112
Manheim, Chris ......................................... 202, 213, 403, 512
Mellette, Robert Sidney ................................ 210
Metzger, Joel .......................................... 602
Perez, Jack ............................................ 102
Sears, Steven L. ....................................... 202, 213, 507
Stewart, R.J. .......................................... 213, 306, 307, 401,
402, 501, 516
Swensen, Edithe ........................................ 602
Tapert, Rob[ert] ....................................... 101, 212, 306, 307,
318, 401, 402, 407,
501, 507, 516, 522,
604
Thomas, Roy ............................................ 112
Storyboards
Herndon, Paul .......................................... 312
Studio Manager
Coulam, Annelise ....................................... 417
Stunt Coordinators
Bell, Peter ............................................ 101-124, 201-222,
301-322, 401-422,
505-522
Dawson, Shane .......................................... 501-504, 601-609
Stunt Production Assistant
Houghton, Annette ...................................... 313, 608
Supervising Executive for the Action Pack
Beaton, Alex ........................................... 101-124, 201-222,
301-322, 401-422,
501-522, 603
Supervising Music Editor
Tallman, Philip ........................................ 101-124, 214-222,
301-322, 401-422,
501-522, 601-609
Supervising Producers
Friedman, Liz .......................................... 310, 312-322
Greyhosky, Babs ........................................ 101
Joyce, Bernadette ...................................... 601-609
Sears, Steven L. ....................................... 101-124, 201-222,
301-309, 311
Skopov, Emily .......................................... 601-609
Supervising VFX Coordinator (NZ)
Port, George ........................................... 401-422
T
Tape Distribution Manager
Kennedy, Sean .......................................... 521
Teleplay by
Armus, Adam ............................................ 102, 109, 112, 210,
318
Bader, Hilary J. ....................................... 407
Foster, Nora Kay ....................................... 102, 109, 112, 210,
318
Kurtzman, Alex ......................................... 512
Manheim, Chris ......................................... 202, 403
Metzger, Joel .......................................... 602
Oneill, Tom ............................................ 516
Orci, Roberto Gaston ................................... 512
Sears, Steven L. ....................................... 212, 213
Stewart, R.J. .......................................... 101, 212, 306, 307,
401, 402, 501, 516,
522, 604
Strayton, George ....................................... 516
Williers, Buddy ........................................ 507
U
U.S. Casting by
Hymson-Ayer Casting .................................... 521, 522, 601-609
Hymson-Ayer, C.S.A., Beth .............................. 101-124, 201-222,
301-322, 401-422,
501-520
Unit Managers
Anderson, Don .......................................... 601
Ashworth, Mark ......................................... 201-207, 209, 210, 212
Gibson, Reg ............................................ 501-522, 602-609
Howe, Neville .......................................... 101-124
Sang, Graeme ........................................... 208, 211, 213-222,
301-322, 401-422
Unit Production Managers
Ambridge, Simon ........................................ 601, 607-609
Gruendemann, Eric ...................................... 501-522, 602-606
Smith, Chloe ........................................... 101-124, 201-222,
301-322, 401-422
V
VFX Coordinators
Conmy, Joe ............................................. 401-422
Lam, Martin ............................................ 401-422
Visual Effects Consultant
Blank, Kevin ........................................... 401-422
Visual Effects Coordinator (US)
Lam, Martin ............................................ 518-522, 601-609
Visual Effects Coordinators
Blank, Kevin ........................................... 201-222, 301-322
Conmy, Joe ............................................. 501, 502, 505, 507,
508, 510
Irastorza, Edward J. ................................... 101-124, 201-222, 302
Lam, Martin ............................................ 303, 305-308, 310-322,
503, 504, 506, 509,
511
Visual Effects Editor (US)
Lam, Martin ............................................ 512-517
Visual Effects Editors
Conmy, Joe ............................................. 503, 504, 506, 509,
511
Fedele, Jody ........................................... 303-308, 310-322,
401-422
Lam, Martin ............................................ 501, 502, 505, 507,
508, 510
Visual Effects Supervisor (NZ)
Port, George ........................................... 501-522, 601-609
Visual Effects Supervisor (US)
Ellenshaw, Harrison .................................... 501-522, 601-609
Visual Effects Supervisor
Beswick, Doug .......................................... 601
O'Neill, Kevin ......................................... 101-124, 201-222,
301-322, 401-416,
422
Visual Effects by
Cantina Pictures ....................................... 601, 606-609
Flat Earth ............................................. 101-124, 201-222,
301-322, 401-416,
418-422, 501-516,
518-522, 602, 603,
605
Beswick, Doug .......................................... 418-421, 501-507, 510,
511
Kutchaver, Kevin ....................................... 418-421, 501-507, 510,
511
O'Neill, Kevin ......................................... 418-421, 501-507, 510,
511
W
Wardrobe Assistant
May, Hayley ............................................ 402
Wardrobe Coordinators
Newman, Nicola ......................................... 512-522, 601-609
Watson, Jaindra ........................................ 501-511
Wardrobe Design Assistant
MacEwan, Janis ......................................... 101-124, 201-222,
301-322, 401-422
Wardrobe Supervisor
Mockett, Ann ........................................... 312
Writers' Assistants
Katarungan, Madley ..................................... 517, 520
Lim, Adele ............................................. 512, 516, 518, 522
Meyer, Stephanie C. .................................... 509, 515
Written by
Armus, Adam ............................................ 120, 204, 216, 218,
308, 309, 404, 412,
510
Bader, Hilary J. ....................................... 302, 310, 317
Black, Chris ........................................... 514
Coyle, Paul Robert ..................................... 208, 214, 217, 322
Ellsworth, Carl ........................................ 518, 519
Fields, Peter Allan .................................... 106, 123
Foster, Nora Kay ....................................... 120, 204, 216, 218,
308, 309, 404, 412,
510
Gable, Ashley .......................................... 417
Glueckman, Alan Jay .................................... 111
Good, Melissa .......................................... 601, 605
Horvath, Gillian ....................................... 406
Kahn, James ............................................ 606
Lilly, Brenda .......................................... 115
Manheim, Chris ......................................... 118, 119, 209, 211,
222, 311, 312, 315,
319, 413, 414, 418,
502, 504, 511, 513,
520
Manney, Patricia ....................................... 124
Maynard, Kevin ......................................... 515
McGibney, Linda ........................................ 411
Metzger, Joel .......................................... 608
Morris, Eric ........................................... 410
O'Neill, Gene .......................................... 313
Oneill, Tom ............................................ 509, 517, 521
Ostrin, Gregg .......................................... 508
Sears, Steven L. ....................................... 103, 110, 113, 114,
117, 121, 201, 207,
220, 221, 303, 304,
312, 316, 321, 405,
409, 415, 420, 503
Sherman, Julie ......................................... 105
Skopov, Emily .......................................... 603, 609
Stewart, R.J. .......................................... 107, 108, 113, 114,
116, 122, 205, 206,
215, 219, 301, 305,
314, 408, 416, 421,
422, 607
Strayton, George ....................................... 509, 517, 521
Swyden, Thomas A. ...................................... 417
Tobin, Noreen .......................................... 313
Vlaming, Jeff .......................................... 419, 506
Williers, Buddy ........................................ 505
Winter, Terence ........................................ 104, 203, 320
X
Xena Body Double
Baigent, Polly ......................................... 407
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Logomancy is a web and CD-ROM design group based in Riverdale, NYC, and Austin, TX. Questions or Comments? Don't hesitate to let us know!